"The first great sin that eer I did,

about it all the time. I'm deeply sorry for any trouble we may have caused, Or Mason. I honestly never looked at it from your point of view, never realised the dangers involved in maintaining the impersonationif you could call it that. Please forgive me." "Nothing to forgive," I said bitterly. "A hundred to one I'd have found some other way of messing things up." Shortly after five o'clock in the evening Corazzini stopped the tractorbut he didn't stop the engine. He came down from the driver's seat and walked round to the cabin, pushing the searchlight slightly to one side. He had to shout to make himself heard above the roar of the tractor and the high ululating whine of the still-strengthening blizzard. "Half-way, boss. Thirty-two miles on the clock." "Thank you." We couldn't see Smallwood, but we could see the tip of his gun barrel protruding menacingly into the searchlight's beam. "The end of the line, Dr Mason. You and your friends will please get down." There was nothing else for it. Stiffly, numbly, I climbed down, took a couple of steps towards Smallwood, stopped as the pistol steadied unwaveringly on my chest. "You'll be with your friends in a few hours," I told Smallwood. "You could leave us a little food, a portable stove and tent. Is that too much to ask?" "It is." "Nothing? Nothing at all?" "You're wasting your time, Dr Mason. And it grieves me to see you reduced to begging." "The dog sledge, then. We don't even want the dogs. But neither Mahler nor Miss LeGarde can walk." "You're wasting your time." He turned his attention to the sledge. "Everybody off, I said. Did you hear me, Levin? Get down!" "It's my legs." In the harsh glare of the searchlight we could see the lines of pain deep-etched round Levin's eyes and mouth, and I wondered how long he had been sitting there suffering, saying nothing. "I think they're frozen or sleeping or something." "Get down!" Smallwood repeated sharply. "In a moment." Levin swung one of his legs over the edge of the sledge, his teeth bared with the effort. "I don't seem to be able" "Maybe a bullet in one of your legs will help," Smallwood said unemotionally. "To get the feeling back." I didn't know whether he meant it or not. I didn't think so -gratuitous violence wasn't in character for this man, I couldn't see him killing or wounding buing digital camera class set without sound reason. But Zagero thought differently. He advanced within six feet of Smallwood. "Don't touch him, Smallwood," he said warningly. "No?" The rising inflection was a challenge accepted, and Smallwood went on flatly: "I'd snuff you and him like a candle." "No!" Zagero said, softly and savagely, the words carrying clearly in a sudden lull in the wind. "Lay a finger on my old man, Smallwood, and I'll get you and break your neck like a rotten carrot if you empty the entire magazine into me." I looked at him as he crouched there like a great cat, toes digging into the frozen snow, fists clenched and slightly in advance of him, ready for the explosive leap that would take him across that tiny space in a split second of time and I believed he could do exactly what he said. So, too, I suspected, did Smallwood. "Your old. man?" he inquired. "Your father?" Zagero nodded. "Good." Smallwood showed no surprise. "Into the tractor cabin with him, Zagero. We'll exchange him for the German girl. Nobody cares about her." His point was clear. I couldn't see how we could offer any danger to Smallwood and Corazzini now, but Smallwood was a nan who guarded even against impossibilities: Levin would be a far better surety for Zagero's conduct than Helene. Levin half-walked, was half-carried into the tractor cabin. With Corazzini and Smallwood both armed, resistance was hopeless: Smallwood had us summed up to a nicety. He knew we were desperate men, that we would fling ourselves on him and his gun a moment of desperate emergency: but he also knew that we weren't so desperate as to commit suicide when no lives were in mediate danger. When Levin was inside, Smallwood turned to the young [German girl seated opposite him in the cabin. "Out!" It was then that it happened, with the stunning speed and inevitability that violent tragedy, viewed in retrospect, always seems to possess. I thought perhaps that it was some calculated plan, a last-minute desperate effort to save us that made Helene Fleming act as she did, but I found out later that she had merely been driven and goaded into a pain-filled unreasoning anger and resentment and despair by the agony she had suffered in her shoulder from having had her arms bound for so many long hours in the cruel jolting discomfort of the tractor cabin. As she passed by Smallwood she